Tag Archives: Agisoft Photoscan

Digging in to digital – A summer of photogrammetry in Orkney

by Jim Bright

Standing in Structure 1 while undertaking photogrammetry

I have just completed undertaking an MSc in Archaeological Practice at the Archaeology Institute, University of the Highlands and Islands. This entails completing a placement and as my specialisation and undergraduate dissertation has been researching the use of digital techniques to record and disseminate our heritage, the placement would offer an ideal opportunity to test some techniques in the field.

After discussions with site directors Martin Carruthers and Nick Card, I was offered the opportunity to work throughout the season at both The Cairns and Ness of Brodgar excavations. This would enable me to make 3D models of trenches and structures during different phases of excavation. I could also develop my skills with creating models of small finds, the idea being that there could be 3D models of items made just as they have been excavated, or while in-situ. I wanted to identify the value of having what could be termed as a ‘digital archaeologist’ on a site for the entire duration of an excavation, primarily using the photogrammetry technique, and working on these sites throughout the summer would provide the opportunity to do this.

Before I go in to detail about how I undertook the digital work at both sites, I’ll give a little bit of background information into the excavations. The Cairns was the first excavation where I was to undertake digital work. These excavations overlook Windwick Bay in South Ronaldsay, Orkney, and were undertaken from 12th June to 7th July 2017 with previous excavations having taken place from 2006-2010 and 2012-2015.

View from inside the broch during excavation season 2017 at The Cairns

Initially, excavations took place in order to confirm the presence of a souterrain which had been described in a 1903 text, and during the 2006 excavation season, evidence of what is described as a ‘massive roundhouse’ was uncovered, which today is considered to be a broch or broch like building. The excavation is primarily concerned with the Iron Age period, however evidence of Neolithic activity is also present.

The second excavation where digital recording took place was at The Ness of Brodgar, situated on an isthmus between the Standing Stones of Stenness and the Ring of Brodgar, in Stenness, Orkney. This site is positioned between the lochs of Stenness and Harray and lies within the inner buffer zone of the World Heritage Site known as the ‘Heart of Neolithic Orkney’. I expect many will be familiar with this site due to its numerous appearances on the television, most recently on the BBC documentary, Britain’s Ancient Capital: Secrets of Orkney. Excavations have taken place here since 2003, after geophysical surveys in 2002 revealed the extent of a large structure and areas of interest. Today the Ness of Brodgar is arguably the most significant Neolithic site in Britain. Continue reading

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Scotland’s Rock Art Project (ScRAP) – Progress so far

SCRAP banner

The story of the Project and NOSAS’s involvement up to the end of May 2017

by Alan Thompson (NOSAS)

Background to the Project and NOSAS involvement

Scotland’s Rock Art Project is a five-year project to record and research prehistoric rock art. The scheme is run by Historic Environment Scotland (HES) and funded by the Arts and Humanities Research Council.

The aim of the project is to improve understanding and awareness of Scotland’s rock art through research.  In order to research the carvings, we need to first develop a comprehensive, detailed record of where they are and what they look like.

As many of you will already know, NOSAS is a partner in this project.  Our specific role in 2017 is to work with Tertia Barnett and her team to pilot and test the recording methods to be used.  Beyond that we will be one of a number of Community groups recording rock art across Scotland.

As with all such projects, there is a challenge in ensuring that small groups, working independently in the field, make their records in a sufficiently consistent and comprehensive way that the results are meaningful for analysis by Tertia and her academic partners.

Tertia has extensive experience in recording rock art in England, including in the Northumberland and Durham Rock Art Project (NADRAP).  At that time photogrammetry was still somewhat specialised and could only be used selectively, but despite that some great results were obtained demonstrating that rock art is an ideal subject for photogrammetry.  The progress of technology since then means that our project will major on the use of photogrammetry – we intend that all panels (each discrete exposure of a piece of rock art is called a panel) should be recorded this way.

Tertia also plans an App for recording, the idea being similar to that used by the Scharp/Scape project which some of you have used.  That will take a little time to specify and program, and so in the meanwhile (for the pilot work) we are using paper forms.

Discussing how to record this CMS. (Photo Anne Cockroft)

NOSAS Involvement in the Pilot Project

NOSAS has committed to work with Tertia to record enough panels in our local area in 2017 to fully test the methods she is developing.  35 members have indicated an interest and most of these have already become involved.  If other members are interested they should contact John Wombell or Alan Thompson.

Progress to date

The project is now underway.  We have held two ‘familiarisation’ afternoons at Clava, plus training sessions with Tertia at Dingwall and Drumore. Continue reading