The Kebbuck Stone, Ardersier: A Lost Pictish Symbol Stone?

by Fiona Campbell-Howes

This is the Kebbuck Stone (see Canmore), a relief-carved cross slab dated to the 8th or 9th century, which today sits in the back garden of a cottage near Ardersier.

Location of the Kebbuck Stone in Nairnshire

It’s usually overlooked in the corpus of early medieval (“Pictish”) stone sculpture because the carvings have almost completely worn away and the surface of the stone is overgrown with lichen.

It was badly eroded even in 1893, when antiquarian George Bain wrote in his History of Nairnshire:

“The slab is very much wasted from the effects of weathering and ill-usage, but the faint outline of a Celtic cross can still be traced upon one side of it. It is a cross of the earliest form—incised and undecorated—and it would have made a most interesting memorial of early Christian times had it been better preserved.

Kebbuck Stone in evening sunlight, by Ian R. Maxwell (Geograph)

Etching and engraving Pictish symbols and figures on to wood

by John Wombell

The Conan Stone on wood by John Wombell see A Newly Discovered Pictish Stone for Easter Ross

First the excuse.  I tried this in the Autumn of 2019 to boost entries for the Tarradale Through Time art competition with a new interpretation of Balblair man, on a panel long since removed from a position beside Kilmorack School to Moniack Castle.  Despite being a Mercian through and through I have lived and worked in the land of the Picts for over half a century. This, as well as being married to someone with Pictish genes for sure, has led one to develop an ongoing interest in the mysterious Picts.   Living not far away, we visited the Sueno’s stone in Forres more than once with the children many years ago.

For a decade plus I had responsibility for a number of burial grounds in Kincardine and Deeside with fine Pictish stones in them (Fordoun, Tullich and Migvie). Then came one of those special moments in archaeology; when digging at Birnie I discovered the Birnie Painted Pictish Pebble and that  kept my interest going.  Stories of discovery are rarely told unless it is the likes of Tutankhamen’s tomb, and the story of the discovery of the Birnie pebble has never been told so why not now?

I had been patted on the head and set to cleaning and defining an area within what was thought to be a small Pictish house built in the ruins of a roundhouse.  What was revealed was a small setting of smooth cobbles looking like it might have been a crafting workplace.  When I first encountered the pebble it was tilted slightly on its long axis.  Fortunately that day I was in ‘careful mode’ and as soon as the top edge of the pebble was revealed it was clearly quite different and it looked like quartz or quartzite.  I left it firmly in place and carefully cleaned away another cm or so of sand from round about it. It continued to look interesting so I called over Alan Braby, who’s trench I was in, for a look see.   Alan came over, peered at the pebble, plucked it out of the sand and asked me if I had a wee brush of some kind, which I had.  Then he cleaned the pebble off and said ‘have you any idea what this is?’  ‘Haven’t a clue,’ I replied, ‘other than a finishing stone for some kind of craft work maybe’.   So then he showed me the feint decoration on the stone that was becoming clearer as the pebble dried out.  Well Alan says, ‘it is a Painted Pictish Pebble and the first to be discovered on the South side of the Moray Firth.’ Then we realised that it was decorated on both sides.   It was most exciting day.

Birnie Painted Pictish Pebble

Painted Pictish Pebbles are rare artefacts and most have been found at Caithness and Shetland broch sites.  They are at the very bottom of the Pictish art spectrum and I remain convinced that the designs on them reflect the Picts knowledge of cup and ring marked rocks, which in Pictish times would have been far more numerous than today.  Since then I have never stopped looking for blanks of the same size and shape and they are as rare as hen’s teeth.  Beach pebbles of quartz tend to be rounded and if oval they tend to be too large and too heavy.  The nearest I have found are quartzite and the replica I made of the Birnie pebble is on such a blank.  There is plenty of information on Painted Pictish Pebbles free online.

Selection of painted pictish pebbles from Shetland.

A Newly Discovered Pictish Stone for Easter Ross

by Anne MacInnes

Photographs of all 4 faces of the Conan Pictish stone © HES.

Whilst on a walk close to Dingwall, I came across a site that struck me as being slightly mysterious, atmospheric and with an air of neglect about it. I was immediately fascinated, and started to try and find out more about it.

I established that it was an early religious site, privately owned, and asked the landowner if I could have permission to survey it. This granted, and because of the difficult access, I began to form a plan of just how to carry this out. A specific parking place for one car was established and the survey began.

I followed the methodology used by Susan Kruse at Kiltearn, where I had helped carry out the survey (see blog).

First of all, three of us, sectioned off the site using tapes and this enabled me to draw up plans marking all the visible stones. They were all numbered, and then surveyed and photographed in detail. Inscriptions were carefully copied on to the recording forms, which at times involved a lot of head scratching due to the worn stone. Moss was removed but not lichen as this could damage the stone. Linda helped me almost every day, with Meryl and Beth helping when they could.

The weather was kind in the winter months when this survey was done, and we were struck by the oasis of peace, emerging wildflowers and variety of birdlife with occasional visiting roe deer. A large area of ponticum and invasive sycamore was cleared with chainsaw by Terry Doe, with Linda, Kay, and myself dragging it offsite. Finally a group of nine NoSAS members planetabled the site and did levels to show the footings and platform of a chapel, and Meryl drew this up.

The survey revealed as well as the probable chapel footings, upright headstones in various shapes and sizes, lair markers, tabletombs, graveslabs, some lightly covered by moss.

Most of them looked like this, either blank or with initials carved at the top. All the stones were orientated with their carved faces towards the east.

One day, I was brushing off leaves from a graveslab sitting on the ground, not buried, when I  noticed a bit of carving that looked like a foot. Carefully removing a bit more, a leg was attached to this foot! I couldn’t believe what I was seeing, so much so that I went to do something else and ignored it. However on my return it was still there and more was revealed.

Picturing the Picts: Photogrammetry and the Shandwick Stone

The Shandwick stone, or Clach a’Charaidh, (see HER MHG8539) is one of a group of Class II Pictish symbol stones on the Tarbat peninsula seaboard, These are carved rectangular slabs several metres high which typically feature a large cross on one side, plus elaborate decoration, enigmatic Pictish symbols and secular or biblical scenes. They are thought to date from the 8th or 9th Centuries AD. For a general guide to the Pictish stones in the Easter Ross area see the Highland Council’s Pictish Trail.

In November 2015 there was a NOSAS field trip to Tarbat to visit the stone at Shandwick, along with those at Hilton of Cadboll and Nigg. Here we were able to obtain access behind the steel framed glass case which now protects the Shandwick stone against the elements. Alan Thompson took some photos of the hunting panel of the stone and then used photogrammetry to bring out the details of the scene.

The top image above shows one of four camera pictures that Alan took of the panel from different angles. He then processed the four images to produce a 3D model of the surface which we can look at in different ways.

The middle image shows the 3D surface with colour/texture removed, but with angled lighting applied to bring out the relief using shadowing.

Finally in the lower image the 3D surface has been processed to show depth. Areas which are ‘closer’ to the viewer are dark blue, those further away lighter blue, etc to red for distant ones. The red coloured area on the left is due to a broken part of the stone.