The Legacy of Scotland’s Rock Art Project

by Alan Thompson.

NOSAS were partners in and major contributors to Scotland’s Rock Art Project (ScRAP) which ran for five years from January 2017 to December 2021.  We enjoyed some very productive field work and learned a lot about prehistoric rock art (sometimes called cup and ring marked rocks) and also about how to run a community-based project.

Figure 1 A favourite panel at Fleuchlady

This is not an attempt to analyse the rock art in our region or to provide a critique of what was achieved during ScRAP (for that it might be best to download the booklet produced at the end of the project – Prehistoric Rock Art in Scotland).   It’s more personal, really a set of memories and reflections on what we did, and a few suggestions for the future.  There is still more rock art to record in Northern Scotland and some of us would like to continue with that.  Should we therefore establish a new, perhaps smaller project, making use of our experience with ScRAP?

A bit of history

Our interest in prehistoric rock art begins with the Ross-shire Rock Art project (RRAP) led by John Wombell in the 1990s and early 2000s (before my time with NOSAS).  John and a NOSAS team set out to find and record the rock art in (broadly) Ross-shire.  This involved research of the records, contact with local people, a good deal of ‘fossicking’, and experiments with various methods of recording.  The output was mostly on paper, i.e. forms filled in and photos printed.  Many finds were notified to the Highland HER.

Figure 2 Pre-ScRAP photography, low-angle lighting

Updating Groam House Museum and Highland HER Pictish records

by Tim Blackie

In 2004, I was looking over my garden wall into Rosemarkie’s ancient graveyard and noticed gravediggers preparing a burial plot. Pictish sculpture has been discovered for over two centuries in the graveyard so I leapt over my wall and was told that it was an old family plot and a recently deceased woman was about to join her long-departed husband.

I asked if any pieces of stone had been recovered from the burial plot and I was pointed in the direction of a piece of dressed stone holding down the edge of the tarpaulin. After cleaning off the dirt, I noticed incised lines appearing on one side of the stone. It turned out to be a fragment of a Pictish grave marker dating to the 8th or 9th century. Carved on a finely dressed face was a quadrant of an incised ringed cross with the connecting ring and part of the shaft and one of the cross arms.

I have been interested in Pictish sculpture for many years and I co-authored ‘The Sculptured Stones of Caithness’ (Pinkfoot Press 1998). During my time living in Caithness, I had travelled the county examining old walls and clearance cairns near early chapel sites in the hope of discovering reused pieces of sculpture without success.  I was therefore seriously chuffed to have recovered a piece of Pictish sculpture in Rosemarkie graveyard, next door to my garden! This carved stone is now on display in Groam House Museum (GHM) (https://her.highland.gov.uk/Monument/MHG38857).

Incised ringed cross grave marker fragment – © Tim Blackie

The museum is famous for its unique and rich collection of Pictish sculpture and a visit to the museum is always inspiring with the magnificent Rosemarkie cross slab taking pride of place. There are also many other pieces of sculpture on display including parts of an altar or a shrine, emphasising the importance of Rosemarkie as a major monastic settlement in early medieval times (https://her.highland.gov.uk/Monument/MHG25214).

Some of the carved stones were discovered while repairing the medieval church in 1735 when “stone coffins of rude workmanship…” were revealed “…in a vault under an ancient steeple”¹, and others were found in the surrounding graveyard over the last two centuries. A number of other fragments of sculpture have been found more recently in local garden rockeries in Rosemarkie and Fortrose! The medieval church was demolished in 1821 and replaced by the current church.

^{1. Old Statistical Account Number XXVI Parish of Rosemarkie .}

Rosemarkie medieval church and graveyard – ‘Fort George, Ardesier and vicinity’ 1785 map (Fortrose and Rosemarkie)  © NLS https://maps.nls.uk/military/389.html

Highland Regional ScARF: Highland archaeology from the earliest settlers through to the 20th century

by Susan Kruse (ARCH and NOSAS)

The ScARF (Scottish Archaeology Research Framework) project assessed what the current state of archaeology in Scotland was in the early 2010s, looking at what we know, where we have gaps in the knowledge and suggesting research areas for future work. This has been set up as a wiki-based publication on the Society of Antiquaries of Scotland website.

The Scottish Archaeology Strategy recommended that this be extended to focus on regions, recognising that many regional differences are not catered for in the national ScARF. For example, the situation in the Highlands during the medieval period is very different from the south. ARCH is leading a 3 year project looking at Highland archaeology from the earliest settlers through to the 20th century, with funding from Historic Environment Scotland and support from Highland Council.

The SCARF symposium in Inverness, 2018

The focus is fairly simple but ambitious and exciting: assessing what the state of knowledge is at the moment, how we differ from national ScARF, what regional differences exist within the Highlands, and suggesting research areas for future work. At the end we will have a valuable snapshot of Highland archaeology, which can be compared to the national picture, and also added to. The structure will mirror that of national ScARF to allow comparisons.

We started with a symposium on 2nd / 3rd June 2018 at Council Headquarters in Inverness where an impressive lineup of speakers provided a brief overview of what is known at present and what we need to know. The programme is available from the Library, in the Highland Regional ScARF folder.

The SCARF symposium in Inverness, 2018

We are now starting the work to flesh out this picture and are actively inviting contributions, large and small. Our first year will be devoted to trying to get our data as full and accurate as possible. We are building on the Highland Historic Environment Record (HER), Highland Council’s database of all known heritage, which will in turn link to Scottish Canmore. Grace Woolmer has been appointed Project Officer, and is based at the Council. She has been investigating various sources and is adding and revising records in the HER.

Walking the old “Fish Road”: Aultguish Inn to Little Garve Bridge

by Meryl Marshall (NOSAS)

The road on the higher ground looking west.

This field visit on 25th June 2017 was by way of a “reccy”; the intention was to prospect the route with a view to including it in the proposed publication “Old Routes in the Highlands”, part of the NOSAS 20 year celebrations. What we know as the “Fish road” was constructed between 1792 and 1797 to provide a land link for the newly established settlement of Ullapool to the “outside” world; it was funded by the British Fisheries Society . The road is known as the “Fish road” but whether or not fish were transported along it is debatable , however in 1794 the Old Statistical Account of Loch Boom Parish reports; “there is an excellent road betwixt Ullapool and the town of Dingwall and it is now nearly finished, where lately nothing could be carried but in creels on horseback, carts and carriages can now travel with the greatest of ease.”

Brief History

A route between Contin and Ullapool has almost certainly been in existence since prehistoric times. In the 17th and 18th century the route was one of the drove routes from the west to the markets in the east and south. ARB Haldane, in “The Drove Roads of Scotland” has:

Pennant in 1772 noted that in the Loch Broom district the sale of black cattle to drovers from as far south as Craven in Yorkshire was the chief support of the people. For these the only practicable route to the south was by Strath Garve to Muir of Ord.
……to Poolewe or to points on the nearby coast came the cattle of Lewis……many of these landed at Aultbea and Gruinard went up the valley of the Gruinard River ….and so by hill tracks to join either the road from Ullapool to Dingwall or that from Achnasheen to Garve…. From Braemore the beasts were driven east to Garve and Dingwall but two deviations from the main road were used by the drovers……one of these turned due south from the main road near Altguish and crossed the forest of Corriemoillie to Garve so shortening the distance and keeping the beasts on the soft ground where grazing was available. The other short cut left the Ullapool Garve road near Inchbae Lodge and crossing the saddle between Ben Wyvis and Little Wyvis re-joined the road to Dingwall at Achterneed.

Scotland’s Rock Art Project (ScRAP) – Progress so far

The story of the Project and NOSAS’s involvement up to the end of May 2017

by Alan Thompson (NOSAS)

Background to the Project and NOSAS involvement

Scotland’s Rock Art Project is a five-year project to record and research prehistoric rock art. The scheme is run by Historic Environment Scotland (HES) and funded by the Arts and Humanities Research Council.

The aim of the project is to improve understanding and awareness of Scotland’s rock art through research.  In order to research the carvings, we need to first develop a comprehensive, detailed record of where they are and what they look like.

As many of you will already know, NOSAS is a partner in this project.  Our specific role in 2017 is to work with Tertia Barnett and her team to pilot and test the recording methods to be used.  Beyond that we will be one of a number of Community groups recording rock art across Scotland.

As with all such projects, there is a challenge in ensuring that small groups, working independently in the field, make their records in a sufficiently consistent and comprehensive way that the results are meaningful for analysis by Tertia and her academic partners.

Tertia has extensive experience in recording rock art in England, including in the Northumberland and Durham Rock Art Project (NADRAP).  At that time photogrammetry was still somewhat specialised and could only be used selectively, but despite that some great results were obtained demonstrating that rock art is an ideal subject for photogrammetry.  The progress of technology since then means that our project will major on the use of photogrammetry – we intend that all panels (each discrete exposure of a piece of rock art is called a panel) should be recorded this way.

Tertia also plans an App for recording, the idea being similar to that used by the Scharp/Scape project which some of you have used.  That will take a little time to specify and program, and so in the meanwhile (for the pilot work) we are using paper forms.

Discussing how to record this CMS. (Photo Anne Cockroft)

NOSAS Involvement in the Pilot Project

NOSAS has committed to work with Tertia to record enough panels in our local area in 2017 to fully test the methods she is developing.  35 members have indicated an interest and most of these have already become involved.  If other members are interested they should contact John Wombell or Alan Thompson.

Progress to date

The project is now underway.  We have held two ‘familiarisation’ afternoons at Clava, plus training sessions with Tertia at Dingwall and Drumore.

A Walkover Survey of Aigas Community Forest

by Roland Spencer-Jones (NOSAS)

In April 2015, NOSAS was approached by the development officer of Aigas Community Forest to see if we could undertake an survey of this newly acquired 285-hectare forest. The local community had completed the purchase of the forest from the Forestry Commission that month. Part of the sale conditions were that an archaeological survey would be required. After some discussion, mainly centred on the size of the task ahead, NOSAS said yes, and the two co-leaders of the survey – Roland Spencer-Jones (RSJ) and Anne Coombs (AC) – got into planning mode.

RSJ undertook a desk-based assessment of the history and known archaeology of the forest. This included searching the maps on the digital map resource of National Library of Scotland, the Canmore archive of Historic Environment Scotland, the local Highland Council’s Historic Environment Record and maps from the previous Lovat Estate archive. In addition he had conversations with local landowners and local community members who had either had personal experience of the forest and its history or had undertaken some research of their own. Two of these local landowners were able to provide old photographs that complemented the historical record.

This desk-based assessment concluded that:

• There was little forest cover in the area now covered by the forest in the mid-18^th century when historical records first began. Much of land was covered in moor and moss, and was “good hill pasture” for grazing animals.
• Planting of the forest began in the mid-19^th century at a time when part of the Aigas Estate was enclosed to both contain stock and to prevent grazing damage. This work was first developed by rich landowners from further south in the UK, as was happening with many other parts of Scotland at that time. A network of paths through the forest was started at this time.

These three photographs demonstrate clearly the successive cropping of the Aigas Forest. The building is Aigas Mains farmhouse, on the southern border of the forest. The photographs are taken in 1933 (above left), 1960 (above right) and 1992 (right)

 

• From 1877 until the early 20^th century the estate was further developed as a sporting estate, with further afforestation and further enclosure of the land. At this time many of the settlements bordering the forest were cleared, and consolidated in houses built in the Crask of Aigas village at the heart of the forest. The path network was expanded, and a road was constructed through the forest to reach the moor above it.
• The forest was progressively consolidated during the 20^th century with successive cycles of planting and cropping. A significant harvest of the trees in the forest occurred in the early 1950’s, which means that it survived the felling that occurred in other Scottish forests during the two World Wars.
• The current forest cover represents a major planting of mixed conifer trees in the early 1960’s.

The Discovery and Recording of a Victorian Hydro scheme at Orrin Falls, Ross-shire

by Meryl Marshall (NOSAS)

Aultgowrie, west of Muir of Ord, is a favourite area for short walks and I have been aware of a hydro scheme at Orrin Falls for many years but never given it much thought. However when I was browsing the Fairburn Estate website looking for something else I came across a photograph c1900 (below) and the following comment:

John Stirling used estate workmen to build a turbine house at the Orrin Falls and one further up river under the supervision of Mr Bagot from Glasgow and electric light was installed (in Fairburn House) in 1898.

The hydro-scheme was much older than I had thought and was worthy of more attention! For many years it had been overgrown with rhododendrons and overhung with trees however a few years ago the estate had carried out a programme of clearing these and it was more accessible. The site is marked on the current OS map as “weir” but there was obviously much more to it than that. It was unrecorded on the Local database http://her.highland.gov.uk/ and on the National database https://canmore.org.uk/.  So 18 months ago I set about gathering more information.

The Orrin Falls, GR NH 469517, are (or were) a series of attractive waterfalls (see painting above) within a gorge of the River Orrin. The natural rock is conglomerate and the total height drop from top to bottom of the gorge is roughly 15m. The hydro scheme is on the south bank of the gorge and comprises

1. A dam
2. The remains of an earlier dam
3. A lade or channel
4. A generator house.

And several other features;

1. A rock-cut channel (on the north bank) probably intended as a salmon ladder
2. The abutments of a footbridge

The early photograph of the dam circa 1900 – reproduced with the permission of Fairburn Estate

The Achavanich Beaker Burial Project: New Research on the Bronze Age of Northern Scotland

by Maya Hoole

In 2014, whilst working with the Highland Council Historic Environment Team, I came across the record of a Bronze Age beaker burial from Caithness in the Highland HER records (MHG13613). Although the site was discovered and subject to a rescue excavation in 1987, and some preliminary post-excavation had been undertaken, it had never been fully researched or published. The burial was positioned in a rare rock-cut pit with a stone lined cist, complete with cap stone. Inside were the remains of a young female (fondly known as Ava, her name an abbreviation of the place of discovery), aged 18-22 years old, accompanied by: a highly decorated beaker, three pieces of flint and the scapula of an ox or cow. Within seconds of opening the file and starting to read I was completely captivated. At that moment, I had no idea of the impact of my curiosity. I was totally clueless as to what was in store and completely oblivious to the fact that two years down the line my passion for the site would not only have increased but it would have extended far beyond myself.

The Beaker from the Achavanich cist burial (Maya Hoole©)

The project began with my own research: I sorted the paper archives, located the artefacts at the Caithness Horizons museum, and subsequently photographed, measured, recorded and illustrated them. I went on to: re-discover the exact location of the site, re-create site plans, analyse the decoration on the beaker, make comparisons on a national scale and build a database and complete record of the artefacts. I bashfully presented my findings at a couple of conferences and… then things started to get interesting. At the very heart of the project was research. The initial goal was always to find out more about the individual buried at this site and to increase our knowledge of Bronze Age society in Northern Scotland. With the help of many different organisations and individuals, I applied for funding and soon found myself talking to experts (and to BBC news reporters, twice!) who were interested in developing our understanding of the site.

Dr Tom Booth of Natural History Museum examining the cranium from the Achavanich cist burial (Maya Hoole©)

SHED: Report on the Implementing Scotland’s Historic Environment Data Strategy meeting, November 2015

By Susan Kruse (NOSAS and ARCH)

All archaeological projects should ensure that the results are distributed in a number of ways, so that the information will be available after the project finishes. In particular, we submit information to the local Historic Environment Record (the Highland HER) and Scotland-wide Canmore databases, and sometimes to Discovery and Excavation Scotland (DES) for new projects. Individuals should do so as well. Unless we share information, it will be lost. And information on the HER informs planning applications.

Over the past years the HER and Canmore have increasingly diverged, so that one needs to input separately to both, and needs to consult both when researching. During the consultation for Scotland’s Archaeology Strategy, this was raised at several Highland meetings as an issue people would like changed.

The SHED Project (Scotland’s Historic Environmental Data Strategy) is looking at these issues and others, on ways to share and link digital records. They are made up from a number of representatives from various organisations, though few with community archaeology perspective. They published a Strategy in April 2014 and are now working on ways to implement it.

At the beginning of the whole process a report suggested centralisation of data, but this was rejected as ‘not workable’. Instead, the main activity resulting from the Strategy so far is Pastmap (pastmap.org.uk) where you can used map-based searching techniques to see both Canmore and the HER data (and others  as well). However, you still need to look at both records, and cannot search by keywords.

A screenshot of the Pastmap website

The SHED group is now consulting on how to implement its strategy, and held a meeting in November. Susan Kruse of ARCH and NoSAS attended, and these notes are a personal reflection on where matters stand after attending the meeting.